1/8/2024 0 Comments Sleepless amcI see why people go, ‘I would love another kid.’ That experience, although it’s tiring, brings you so close to the person you’re with, the partner, whoever it may be. And I see why people have more than one kid. I like you!’ It’s amazing that you’re creating this relationship with this being, because they’re so alien-like at first, when they look at you with those eyes, so untainted by anything that’s corrupt in the world, anything that’s tainted at all, they’re just so pure. Seeing them go, ‘Oh, I see: I’m completely dependent on you! I’ll keep you around. From motor function in their fingers, to them figuring out how to smile, to them figuring out that if they cry they’ll get your attention, to literally seeing them fall in love with you. You’re seeing how a human being grows and develops. “Less sleep, a lot less sleep! You’re tired a lot of the time, but there’s so much about it that’s amazing. When this one came around, there was never a moment where I was like, ‘Oh, but it’s television.’ I said, ‘Let me have a look at it, and see what it is.’ It was AMC, and I was so aware of their catalogue of shows, so I was very excited.”īeing a dad, how has your life changed in the past five months? It got really good, and they went, ‘Let’s just do movies on television.’ And when I figured that out, I was like, ‘Why would anyone not consider this? The stuff they’re doing on TV, by the way, is a lot better than most films.’ Just because they have the time, and you can get really great actors to do really good character parts. I was so unaware of the rise of television, because I was just a teenager and not really paying attention to anything other than myself. I came into the business with no stigmas, no preconceptions, but there always seemed to be such a stigma between film acting and TV acting. I think when I first started out, when I was 13, 14, there was such a stigma. “There had always been opportunities in television for a number of reasons, it just never happened. Like a lot of January releases, Sleepless is at least somewhat refreshing for being neither a $100 million superhero movie nor a late-breaking prestige picture, but it'd be a lie to say you're likely to remember this one come April.Had you been actively looking for a TV role? (One unfortunate side effect of the actor's presence and the film's nocturnal timeline: reminding us that Collateral exists and our time would be better spent re-watching that instead.) The lion's share of what follows takes place during one long night in the fictional Luxus casino, with Foxx slowly bleeding out from a stab wound sustained while his kid was violently removed from his custody. He's confidently blasé about being under suspicion, at least until his semi-estranged son is kidnapped by the high-level casino owner he unwittingly ripped off. Her Internal Affairs agent is onto him from the start of the case, which involves a drug deal gone wrong and police-issued bullets recovered at the scene. The positives don't extend much further for Baran bo Odar's remake of the 2011 French thriller Sleepless Night, which shifts the action to Las Vegas and places Monaghan opposite Jamie Foxx's corrupt - or, if you believe his side of the story, undercover - cop. Say this for Sleepless: It gives Michelle Monaghan more to do than anything else you've seen her in lately and confirms once again that she should be in the lead far more often than Hollywood would have us believe.
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